Both of these movies are about how childhood can be both wonderful and dark. But the point of this post isn’t to review or contrast and compare. I’m just using this pair of movies as an example of why you shouldn’t let critics decide what you’ll enjoy.
As of the time of writing, Goodbye Christopher Robin has a 63% on Rotten Tomatoes and a 7.2 on IMDB. The Florida Project has a 95% on Rotten Tomatoes and an 8.1 on IMDB. I watched both movies in theaters anyway. I liked Goodbye Christopher Robin better.
So, what does it all mean? Don’t trust critics? No, not exactly. If you read the reviews, pay attention to what the critics liked and dislike, and figure out whether you value the same things. Most of the reviews for The Florida Project rave about the actress who plays Moonee — how mesmerizing and authentic a performance she gave. Sure, I was convinced that she was an average 6 year old girl, but “authenticity” isn’t that important to me in a movie. If I want to see regular 6 year olds just be themselves, I can watch real children. I prefer my movies to have an interesting narrative or story arc, which The Florida Project lacked. It painted a bleak picture and did so the long way, leaving me wondering if the director was trying to show how bored the kids were by making the audience bored too.
On the other hand, critics who disliked Goodbye Christopher Robin mentioned how unlikable his parents were, or how the movie was a stiff period piece. But those things are the point: his parents aren’t sympathetic characters, and the historical context was important to the story. I love a good period piece. I like being transported somewhere that’s far removed from my everyday life. Somewhere with interesting characters who have complex motivations, not just “authenticity.”
In general, I think film critics are overly fond of the French style of movie making: so many pointless scenes of walking down the street, sleeping, eating spaghetti, shaving and staring off into space that it feels like your own real life. And then a sudden ending when the funding has run out — not at any natural stopping point in the story. Knowing this about critics, and understanding that these aren’t my own preferences, it makes sense for me to ignore ratings and just give movies a chance based on the trailer or summary. I’m guessing this is true for most people: that your tastes don’t line up with what the critics say. It almost makes me wonder why we even have them? I guess it made more sense for a time before Moviepass. Well, you don’t have to listen to them now — you can make up your own mind: it’s the same monthly price whether you watch one or both!